Why to Go and See Stomp the Music
The expression stomp at first started with two buskers dazzling the streets of Brighton, UK with music, their catchy performance hooking in bystaders to stop, watch, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the music STOMP debuted in the Orpheum Theatre in February 1994. The musical STOMP can also trace some of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance time period- an old custom in that period. Unlike any other music, STOMP pushes the concept of what constitutes audio. Eight nightly performers play basic and complex rhythms from everyday objects, such as six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Through dance and audio, the group collaborates with each other to play audio, as well as giving person self-expression. STOMP is a sensual blend of comedy, percussion, and vibrant movements. The music STOMP is the unique design of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ philosophy. It is a passionate production, not effortlessly classified into a specific music or theatrical variety. Via the absence of melodies, the audience listens to music obtaining broken down into basics as eight chiseled and lively performers pound out rhythms with ordinary things: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the common high quality of these items catapults STOMP to an artistic level unrivalled by some other modern theatrical acts. The simplicity in which the cast manipulates their ‘instruments’ and body stretches the imagination into a fun filled reality. Their set design is flashy and multi-colored at times; an elaborate metal construction demonstrates instruments that are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to create loud group rhythms that shake the rafters and audience with its intense, tribal rhythms. These in-your-face cadences are a powerful avenue for person and collective expression, leaving numerous on the edge of their seats. STOMP’s lack of fancy performer garments keeps the focus on what really counts: dance moves and music rhythms, which become more complex with every subsequent scene. Subtlety is also utilized to balance out these raw rhythms.One scene is focused around performers tapping six foot poles, as they stealthily circuit the stage, almost preying on each other with their sly moves and rhythms. Their sense of interconnection is palpable and sensual, cast eye contact stimulating the expectation, as you almost discover yourself wondering who is going to ‘win’ at this musical game. Yet, everybody wins, the audience even invited into the overall performance through a cast member who initiates a clap-and-response session. Around two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math problems, cleaning, and construction projects can entertain and produce a powerful music group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting musical genious, reminding us of the music and rhythmic potential right under our noses. Discover more information about the music and buyStomp Tickets on the internet